![]() Assign the send to an available bus and then route the bus to an aux track. If you don't see a Sends section, right-click on the text that says "Inserts A-E" and select "Sends A-E". In Pro Tools, you can set this up by creating a send that routes a duplicate copy of a track's signal to an aux track. For example, it's quite common to apply reverb to a song using a single aux track, as opposed to applying a different reverb to every track individually. Pro Tools' aux tracks can be used to apply parallel processing, in addition to summing signals together. The only limitation is the number of outputs available on your audio interface. In commercial recording studios with multiple rooms, this is a popular method of setting up headphone mixes.įeel free to create custom headphone mixes for all your performers. You'll be able to monitor the full mix in your studio's control room, while your guitarist selectively listens to the song's drums and vocals in your studio's live room. Route the guitarist's custom headphone mix to a pair of outputs on your audio interface and hand the guitarist a pair of headphones. You need to route the output of tracks to a bus and then assign the bus to the input of an auxiliary track, or aux track. Pro Tools is set up a little differently than other DAWs regarding the way that it uses buses. Instead of running directly through your master bus, each track's signal will run through your vocal group and then the master bus. The output of each track will be re-routed automatically. In Ableton, simply select the tracks you'd like to include in the bus and use the keyboard shortcut on Windows or on macOS to group the tracks. Most DAWs make it easy to bus tracks together. Try experimenting with bus compression, reverb, and delay. Instead of applying a low-cut filter to every vocal track to remove low-end rumble, applying a single low-cut filter to your vocal bus will have the same affect and reduce the load on your computer's CPU. ![]() Grouping or "busing" together sounds in this way reduces redundant processing. Perhaps you want to create a vocal bus that contains all of the vocal melodies, harmonies, and ad libs in your song. You can create custom buses that contain similar instruments. For example, maybe you want to apply some subtle saturation to your master bus to sweeten up your entire mix without applying a saturator to each track - it's perfectly acceptable to do this. Figure 2: Two audio track and a MIDI track routed into a bus.īuses are great because they allow you to apply processing to multiple signals at once. ![]()
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