Neal is a printmaker, installation artist and sculptor who expands the traditional means of printmaking into the realm of public art and installations. of catalog.ģ) Florence Neal: Marketplace Issues Explored by an Artist, Curator & Non-Profit Gallerist. While originating in Japan, mokuhanga can be seen as a vehicle for international exchange. Professors Hara and Takemoto are affiliated with Whitman College, where they address educational practices that cultivate traditional and contemporary mokuhanga techniques that can include information about international exchanges and residencies that expand horizons and inspire a younger generation of artists. of Program.Ģ) Keiko Hara & Akira Takemoto: Mokuhanga as a Vehicle for Internatioal Exchange. In particular are the effects of spatial illusion and depth from bokashi gradation blends as a “visual hook,” which organizes the unmappable spaces and chaotic actions within abstractions. Kunc addresses her lifelong in influences of ukiyo-e prints and adaptations of mokuhanga techniques in her woodcut prints. Kunc is the Cather Professor of Arts at the University of Nebraska Lincoln. Kunc, Hara, Neal, Laitinen (Koi Room 9/29am)ġ) Karen Kunc: Picture This: Illusion and Action in Mokuhanga & Manga. 4) Hellory Maria Nella-Ponte – Italian artist Nella-Ponte was a student of master Ligustro Giovanni Berio and discusses his use of the old, deluxe techniques in the context of surimono. of the catalog.ģ) Paola Gonzalez – “The Adoption of Mokuhanga in Schools and Communities: A research in progress about the teaching process of non-toxic techniques of xylography in Chile.” Gonzalez is a teacher of visual arts and her presentation focuses on the use of non-toxic techniues in Chile’s xylography courses. Her presentation provides a format for artists or groups to plan a mokuhanga workshop for larger audiences. of the catalog.Ģ) Jennifer Mack-Watkins – “Promoting and Passing on the Tradition of Mokuhanga.” Mack-Watkins has an MFA in Printmaking from Pratt Institute and participated in the artist-in-residence program at the Mokuhanga Innovation Laboratory. Her presentation focuses on displacement/migration and printmaking and how environments inform the conceptual engagement of her art. Keckes has studied art in Zagreb and Tokyo and completed her PhD in Fine Arts from the University of Auckland. Keckes, Mack-Watkins, Gonzalez, Nella-Ponte (Pacific Room 9/30am)ġ) Irena Keckes – Artist Presentation. His presentation shares the influences of the past on his contemporary work. Her presentation explains the rationale for her anthology – “Print Matters: An anthology of critical writing on prints and printmaking since 1986.” of the catalog.Ĥ) Paul Binnie – “The Influence of the Past.” Trained in Japan, the Scotland-born Binnie has been a woodblock print artist for 25 years. of the catalog.ģ) Ruth Pelzer-Montada – “Mokuhanga Unlimited: The Context of Contemporary Print Media.” Pelzer-Montada is a an artist and lecturer in Contemporary Art and Visual Culture at Edinburgh College of Art, The University of Edinburgh. of the catalog.Ģ) Hellory Maria Nella-Ponte – “Ligustro and Hokusai a Reincarnation in Italy?” Italian artist Nella-Ponte was a student of master Ligustro Giovanni Berio and presents her work in the context of his. He integrates student interest in Japanese culture and their desire to use software (Photoshop and Illustrator) while requiring them to demonstrate manual dexterity and craftsmanship and printing their own color charts. 1) John Amoss – “Teaching Mokuhanga to Today’s University Students: Balancing Tradition and Technology.” Amoss is an Associate Professor of Printmaking at the University of North Georgia, United States, and owner of Tanuki Prints.
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